After a few days of Count again asked to write letters to of Jonathan that he's on his way home, but it was not so. After another two days lost things out of the suitcase of Jonathan. The next day the Count left the manor, and Jonathan could not get out of there.
further correspondence is Mina and Lucy. The second spoke of her many fans. on Dr. Seward wrote in his diary about his strange patient. Doctor asked for help from his old friend.

Van Helsing and Seward find the scene of destruction and Lucy once again at death’s door and they savr her again. Unaware of what has befallen Lucy, Mina writes a letter informing Lucy that she and Jonathan have married and have returned to England. In this time Lucy dies. Before the funeral, Van Helsing covers the coffin and body with garlic and places a crucifix in Lucy’s mouth. Meanwhile, Mina writes in her diary that in London she and Jonathan have seen a man. Jonathan is sure the man is Count Dracula.
That night, Mina receives a telegram informing her of Lucy’s death.
When Van Helsing visits Mina in order to discuss the events leading up to Lucy’s death, she is so impressed that she gives him Jonathan’s diary to read.
Seward is appalled by Van Helsing’s suggestion that Lucy is in some way responsible for the rash of wounded children. That night, Seward and Van Helsing proceed to Lucy’s tomb, open the coffin, and find it empty.  Van Helsing explains that Lucy belongs to the “Un-Dead” and insists that she must be decapitated.

Jonathan researches the boxes of earth that were shipped from Transylvania to England. He discovers that all fifty were delivered to the chapel at Carfax. Holmwood is still terribly shaken by Lucy’s death.
Van Helsing gathers the entire company and tells them the legend of the nosferatu, or “Un-Dead.” To kill Dracula, Van Helsing says they must first track down his fifty boxes of earth.
The men make the journey to Carfax, arming themselves with holy objects for protection. There is no sign of Dracula in the chapel, but there is a terrible stench, and the men find twenty-nine of the original fifty boxes of earth. To the men’s horror, rats begin to fill the chapel. One night Mina wakes up after hearing strange sounds. She sees a “livid white face” bending over her, but assumes this figure is merely part of her dream.
Harker’s investigations reveal that twelve of the remaining boxes of earth were deposited in two houses in London.
Dying, Renfield admits to the other men that Dracula often visited him, promising him flies, spiders, and other living creatures from which to gain strength in return for Renfield’s obedience.
The four men rush upstairs to the Harkers’ room. Finding it locked, they break down the door on a terrible scene. Mina and Jonathan regain consciousness. Mina says that she awoke that night to find Jonathan unconscious beside her and Dracula stepping out of a mist. The count threatened to kill her husband if Mina made a sound. He drank blood from her throat, telling her that it was not the first time he had done so. Then, slicing his own chest open, he pressed her lips to the cut and forced her to drink his blood. Mina breaks down in tears, calling herself “unclean.”
The men lie in wait, and Dracula arrives. As it is daytime, however, the count is largely powerless. Van Helsing’s crew attempts an ambush, but Dracula leaps out a window and escapes. Dracula may elude them, lying hidden for many years while Mina slowly transforms into a vampire.
Van Helsing’s band discovers that the count has boarded a ship. As the days pass, Mina grows weaker.
Mina and Van Helsing take a train; Holmwood and Harker hire a steamboat; and Seward and Morris travel across the countryside on horseback. Van Helsing hastens toward Dracula’s castle, hoping to purify the place before the count’s arrival.
Van Helsing leaves Mina asleep within the circle of holy wafers and proceeds on foot, reaching the castle the next afternoon. The tomb is inscribed with Dracula’s name, and the professor cleanses it with the Communion wafers. Finally, he seals the castle doors with wafers to forever deny the count entry.
On the next day group find Dracula. Harker slashes through Dracula’s throat just as Morris plunges his knife into the count’s heart. Dracula dies, and as his body crumbles to dust.

In the stately London home of his aunt, Lady Brandon, the well-known artist Basil Hallward meets Dorian Gray. Dorian is a cultured, wealthy, and impossibly beautiful young man. Dorian sits for several portraits, and Basil often depicts him as an ancient Greek hero or a mythological figure. When the novel opens, the artist is completing his first portrait of Dorian as he truly is, but, as he admits to his friend Lord Henry Wotton, the painting disappoints him because it reveals too much of his feeling for his subject. Dorian arrives at the studio, and Basil reluctantly introduces him to Lord Henry, who he fears will have a damaging influence on the impressionable, young Dorian.
Basil’s fears are well founded; before the end of their first conversation, Lord Henry upsets Dorian with a speech about the transient nature of beauty and youth. Worried that these, his most impressive characteristics, are fading day by day, Dorian curses his portrait, which he believes will one day remind him of the beauty he will have lost.
Over the next few weeks, Lord Henry’s influence over Dorian grows stronger. He falls in love with Sibyl Vane, a young actress who performs in a theater in London’s slums. He adores her acting; she, in turn, refers to him as “Prince Charming” and refuses to heed the warnings of her brother, James Vane, that Dorian is no good for her. Overcome by her emotions for Dorian, Sibyl decides that she can no longer act, wondering how she can pretend to love on the stage now that she has experienced the real thing. Dorian, who loves Sibyl because of her ability to act, cruelly breaks his engagement with her. After doing so, he returns home to notice that his face in Basil’s portrait of him has changed: it now sneers. Frightened that his wish for his likeness in the painting to bear the ill effects of his behavior has come true and that his sins will be recorded on the canvas, he resolves to make amends with Sibyl the next day. The following afternoon, however, Lord Henry brings news that Sibyl has killed herself. At
Lord Henry gives Dorian a book that describes the wicked exploits of a nineteenth-century Frenchman; it becomes Dorian’s bible as he sinks ever deeper into a life of sin and corruption. Eighteen years pass. Dorian’s reputation suffers in circles of polite London society, where rumors spread regarding his scandalous exploits. His peers nevertheless continue to accept him because he remains young and beautiful. The figure in the painting, however, grows increasingly wizened and hideous. On a dark, foggy night, Basil Hallward arrives at Dorian’s home to confront him about the rumors that plague his reputation. He shows Basil the now-hideous portrait, and Hallward, horrified, begs him to repent. Dorian claims it is too late for penance and kills Basil in a fit of rage.
In order to dispose of the body, Dorian employs the help of an estranged friend, a doctor, whom he blackmails. The night after the murder, Dorian makes his way to an opium den, where he encounters James Vane, who attempts to avenge Sibyl’s death. When a hunting party accidentally shoots and kills Vane, Dorian feels safe again. He resolves to amend his life but cannot muster the courage to confess his crimes, and the painting now reveals his supposed desire to repent for what it is—hypocrisy. In a fury, Dorian picks up the knife he used to stab Basil Hallward and attempts to destroy the painting. His servants enter to find the portrait, showing Dorian Gray as a beautiful young man. On the floor lies the body of their master—an old man, horribly wrinkled and disfigured, with a knife plunged into his heart.

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